
WELCOME TO THE DASnot WORLD
DASnot.
Characters.
Worlds. Stories.
Strange worlds born in original hand-drawn artwork, extending through visual art, books, music and stories for the screen.
CREATED BY DANIEL SOKEY


CHARACTERS & WORLDS
Moonblock
City.
A painted geometric city populated by recurring DASnot characters.
Faces, gates, towers, symbols, creatures, masks, moons and watchers behave like residents.
Meet the residents ↓Meet the residents.
They live here. Tap a name to meet them.
WIMP
Strength without performance.
View the full approved image ↗
SIDE-EYE
Suspicious, sly, knows more than it says.
View the full approved image ↗
LOOKOUT
Sentinel watching the edges of the world.
View the full approved image ↗
FIVEPOINT
Performer, motion, stage energy.
View the full approved image ↗
ANSWER
The oracle that gives the wrong right answer.
View the full approved image ↗
FORTY
Feral challenger. Ritual fight energy.
View the full approved image ↗
STACK
Many reactions in one body.
View the full approved image ↗
ALMOST
Always almost there.
View the full approved image ↗THREE WAYS INTO DASnot
Start here.
A page, a sound, an image. Follow what stays with you.

02 / LISTEN
Jet Lag
Spacious synth pads, soft piano and worn tape-style keys, with minimal percussion.
Hear a preview ↓
03 / LOOK
Lost Souls - Color Stage
Interwoven faces, figures and the artist’s signature.
Explore the artwork ↓01 / BOOKS
Start with a page.
Fiction, fragments, poetry, and participatory art. Purchase through Amazon; formats and prices are listed there.

Brain Dead
Fiction & memory
Buy on Amazon ↗Read an excerpt +
Incision
A Fever Novella in Five Wounds
Buy on Amazon ↗Read an excerpt +
Fever Rooms
A Wound Archive Novel
Buy on Amazon ↗Read an excerpt +
The Living Archive
The Wound Archive · Book 3
Buy on Amazon ↗Read an excerpt +
Wishing to Spiders for Miracle Nikes
Poetry
Buy on Amazon ↗Read an excerpt +
The Things I Can’t Unfeel
Fragments from the Daniel Sokey Archive
Buy on Amazon ↗Read an excerpt +
Due Clause
A Novel in Fragments
Buy on Amazon ↗Read an excerpt +
It Bothers Me I Have to Act Unbothered
Fragments from a Life That Wouldn’t Stay Quiet
Buy on Amazon ↗Read an excerpt +
Color What Followed Me Home
A Participatory Art Memoir
Buy on Amazon ↗Preview interior pages +
The Last Good Handshake
A novel of ambition and accountability
Buy on Amazon ↗Read an excerpt +
ALL IN
Fragments from a Mind That Wouldn’t Fold
Buy on Amazon ↗Read an excerpt +BEFORE YOU CHOOSE
Read a little. Stay a while.
Brain DeadRead an excerpt+
Brain Dead / DANIEL SOKEY
Chapter One — The Party
There was a lot of hate in that boy. Hate and anger and something else nobody had a decent name for yet. Most of them saw it coming, or said they did after the fact, because people love being prophets once the house is already on fire. They loved saying they knew. They loved saying it was bound to happen. They loved saying somebody should have done something sooner, as if sooner was not standing right there with a cup in its hand the whole night.
The party started small. That is how those things always start in the stories people tell later. A few people. A keg outside. Smoke upstairs. Music coming out of speakers nobody owned but everybody touched. Then the yard filled. Then the driveway filled. Then the road filled. Then it was practically the whole school spread across a property that was not mine, acting like it had always belonged to them.
Years later I would still wonder how word traveled that fast. There were other parties. Plenty of parties. Dumb ones, loud ones, sad ones, backyard ones with warm beer and one kid crying behind a shed. But none of them turned into that. None of them became the night everybody seemed to be waiting for.
This was the one.
This was the night that changed my life. Maybe not the world. I am not holy enough to say the world, though some days I get close to thinking it. But a town, yes. A city, maybe. A whole crooked line of people walking around for years with the same little piece of that night stuck under their tongue.
Excerpt © Daniel Sokey. All rights reserved.
IncisionRead an excerpt+
INCISION / DANIEL SOKEY
1. The Last Breath
The last breath left her lungs at 7:57AM.
That was not the normal time for work. Not the normal time for dying either, if there is such a thing. The room had the ugly patience of a place that already knew what happened before I did.
Nancy sat near the morning light with her long hair twisted into a bun. Tea in her left hand. A book in her right. Steam lifted from the cup like something trying to escape before the rest of us knew we should.
I had paid five dollars for the morning meal.
That part stayed with me.
Not the sirens. Not the names they asked me to repeat. Not the cold shape of the questions. Five dollars. Morning meal.
Her hand around the cup. The small bend in the page where her thumb had been.
My head ached when I woke. I remember that too. A dull pressure behind the eyes, as if something had been knocking from the inside all night and finally gave up.
Her name was Nancy.
I say it plainly because later there would be too many other names. Names carved into doors. Names printed on notices.
Names read from lists by men who never looked up. Names shortened into numbers. Names buried under new initials.
Names folded into MAAS files and quarantine maps and public grief statements.
But before all that, there was Nancy.
Fever RoomsRead an excerpt+
FEVER ROOMS / DANIEL SOKEY
1. The Fever Rooms Did Not Close
The fever rooms did not close after MAAS fell.
They simply stopped calling them fever rooms.
That was the first lie of the new city.
The second lie was healing.
The third was voluntary.
Elise learned to hate soft words before she learned to sleep again.
Soft words were worse than hard ones.
A hard word had the decency to arrive with boots. A hard word slammed doors, painted red Xs, seized photographs, measured wounds, and called grief a public hazard.
Soft words came with tea.
Soft words came with blankets.
Soft words came printed in calm blue ink on clean paper.
Support.
Transition.
Closure.
Continuance.
That last one was new.
It appeared first on a white van parked outside the old stadium, where the fever rooms had been dismantled in name only.
The cots were still there.
The patients were still there.
The smell of disinfectant and old breath still pressed itself into the walls.
Only the signs had changed.
Excerpt © Daniel Sokey. All rights reserved.
The Living ArchiveRead an excerpt+
The Living Archive / DANIEL SOKEY
1. The Name Came Back Wrong
The first thing returned to me was my own name, misspelled.
Not in a box.
Not in a bag.
Not tagged, sealed, witnessed, stamped, cross-referenced, or apologized over by some tired clerk with soft hands and dead eyes.
It came back on my skin.
Blue ink beneath the first layer, raised like a bruise trying to become language.
DANIAL.
That was what it said.
Not Daniel.
DANIAL.
One letter wrong and the whole body felt filed under somebody else.
I found it on the inside of my left forearm at 6:13AM, though I had learned not to trust clocks after Nancy. The apartment was gray. The blinds were bent. Rain made the window look like something had been breathing against it all night.
For a while, I only stared.
A man can wake with blood on him and understand the world has touched him.
A man can wake with a wound and think, fine, another door.
But handwriting is different.
Handwriting means somebody was close.
Handwriting means the body held still long enough to be used.
I licked my thumb and rubbed at the name.
Nothing.
I used soap.
Nothing.
I scraped until the skin went bright and stupid.
Nothing.
The wrong name stayed.
DANIAL.
Like the archive had tried to remember me and failed.
Or worse.
Like it remembered exactly enough.
I sat on the edge of the mattress and waited for the room to confess.
Excerpt © Daniel Sokey. All rights reserved.
Wishing to Spiders for Miracle NikesRead an excerpt+
Wishing to Spiders for Miracle Nikes / DANIEL SOKEY
No Money to Put Gas in the Mower
No money to put gas in the mower.
City threatening
if the grass isn’t cut lower.
Mama out front
cutting the grass
with a pair of scissors.
Next time,
siphoning gas out the car
just to keep it lower.
Roaches on the walls at night.
Embarrassed
for anyone to come over.
Brother and sisters
always fighting,
always in trouble.
Brother left
cause our mother
got a lover.
Wishing to spiders
for miracle Nikes.
Holes in my cleats.
Mom’s ex
trying to spite me.
Boys all around
wanting to fight me.
Know now
why no one ever liked me.
Cars always broken down.
Mom in her room,
never around.
Found some glory
in a newspaper.
Read my story.
Then all came
to an end.
Been poor all my life,
plus those
that came before me.
Don’t remember many dinners.
Father abandoned,
started his own journey.
They say,
what’s your hurry?
Ten years old,
booked guilty
by jury.
Past eleven years,
an upstanding citizen.
Brother passed.
Grandma passed.
Grandpa passed.
Sick of hearing
my ending story.
Those that deplore me
step on me,
wipe the floor with me.
Every intent
on doing good.
Every intent
on ending
the stalemate.
Some days
better than most.
When it’s bad,
let the sadness
accepting begin.
Bring hope still.
Why I’ve got
dead eyes.
Excerpt © Daniel Sokey. All rights reserved.
The Things I Can’t UnfeelRead an excerpt+
The Things I Can’t Unfeel / DANIEL SOKEY
The Day Labor Office
The meds had worn down by a significant margin by then. Months of partying and lack of sleep had spun together until there was nowhere steady left to stand.
He was thrown onto the streets and pedaled his bike as fast as his legs could manage. Early in the morning, he was put in a truck and dropped off in front of a daily-pay work office. His mind was racing. He pleaded with the driver that he was not feeling right and needed help, but the man did not care. Work was work. A body was a body. A form needed a signature.
The room was full of eager workers, fresh as daisies in the early morning light, trying as hard as they could to provide for their families. He sat there with a familiar face across from him and the feeling that something was already going down.
The paperwork made little sense. He answered wrong. No work for the day. Outside, a man was dragged from the building and placed in front of a police car while officers patted him down. A simple morning turned into warning. The world kept finding ways to say: you are not safe here.
He pedaled with no destination in mind while the illness ate at the fabric of his existence. The night before, lying on the ground watching television, he had seen the screen go in and out until it showed an officer shooting an unarmed man. Maybe it was real. Maybe it was the television. Maybe it was the illness taking what was real and turning the volume until the room could not hold it.
Paranoid as he already was, it did not help.
Excerpt © Daniel Sokey. All rights reserved.
Due ClauseRead an excerpt+
DUE CLAUSE / DANIEL SOKEY
1. Without Due Clause
Before any person was accused, the room prepared itself to need a defendant.
Without due clause, the charge would surely be dismissed.
That was the first lie written on the paper. Nobody knew who typed it. Nobody admitted carrying it into the room. The page arrived folded twice, warm from a hand that had already disappeared, and was placed in the center of the table like evidence, scripture, lunch money, or a dead bird. The men around it stared down as if the sentence might correct itself.
It did not. Outside, the nation breathed its last breath and called it procedure.
A sigh of relief moved through the gallery. What a ride it had been: three hundred years of symmetry, countless battles, flags raised, flags folded, blades of grass snipped from roots that would no longer bury men into caskets. Everyone had done their part. Everyone had signed something. Everyone had stood in at least one line they did not understand.
The charge remained. It had no number, no victim, no date, no officer name, no statute anyone could find. Still, it held weight. It leaned over the room with the patience of a building waiting to collapse.
“Proceed,” the judge said.
The clerk looked down again. His finger trembled over the page. “Against who?”
It Bothers Me I Have to Act UnbotheredRead an excerpt+
It Bothers Me I Have to Act Unbothered / DANIEL SOKEY
It Bothers Me I Have to Act Unbothered
It bothers me I am going to die broke.
It bothers me I never made it.
It bothers me that the people before me died broke too. The R.N. The Korean vet. My mama, who gave us her all. It bothers me I cannot buy her a car. It bothers me I cannot buy my own home. It bothers me I cannot even buy the headphones I want without turning the want into a small private shame.
It bothers me I will not see the world. It bothers me they keep leaving notices on my door. It bothers me I maxed out credit cards and still drive a 2005 in 2025. It bothers me I wear the same clothes. It bothers me there are no dryer hookups. It bothers me I am barely forty and already feel eighty in the bones.
It bothers me I may die in a home. Maybe on the street. It bothers me we act like we do not know each other. It bothers me I may not live long enough to see if my daughter succeeds. It bothers me I cannot catch a break.
It bothers me even my dreams are as shitty as when I am awake.
It bothers me that I am bothered at all.
It bothers me you will pretend you do not relate.
It bothers me I have to act unbothered.
Excerpt © Daniel Sokey. All rights reserved.
Color What Followed Me HomePreview interior pages+
A reader coloring plate and an original art page from the book. Tap either page to enlarge.
View the book on Amazon ↗Preview pages © Daniel Sokey. All rights reserved.
The Last Good HandshakeRead an excerpt+
The Last Good Handshake / DANIEL SOKEY
Chapter 1 — The Last Good Handshake
By ten in the morning the courthouse lawn had gone soft under the folding chairs.
The rain had stopped before dawn, leaving the grass dark and pliant, and each new arrival pressed another pair of heels into it. Women from the assessor’s office crossed the lawn with their shoes in their hands. Men who would have called that undignified anywhere else did the same once they saw the mud collecting around the soles of their boots. Bell Crossing was a town that believed dignity meant refusing to be embarrassed by the same thing everybody else was doing.
Elias Finch stood beneath the bare-limbed sycamore at the edge of the crowd with a notebook folded against his palm. He had covered three courthouse renovations, six murder trials, a flood, two factory closures, and enough sheriff’s elections to know that the speeches would begin twenty minutes late and contain the words service, family, and sacrifice in that order. He also knew there were photographs that mattered because of what they showed and photographs that mattered because of what people later wished they had shown.
On the temporary platform, Sheriff Thomas Arlen sat with his hat balanced on one knee. At sixty-eight, Arlen had the compact, weathered look of a man who had spent his life being underestimated by furniture. His dress uniform no longer fit cleanly at the collar. The gold stars sat high and bright against the brown wool, but his hands had aged beyond the uniform. They were veined, broad, and freckled, resting without ceremony on the brim of the hat.
Beside him, Nathan Mercer looked made for a camera.
Excerpt © Daniel Sokey. All rights reserved.
ALL INRead an excerpt+
ALL IN / DANIEL SOKEY
From I — The Charge
I was lucky enough to have a family that cared enough to make me get help even though I thought I was fine. They took the steps necessary even with those hard decisions for me to understand that I was sick and needed help. I was stubborn for a long period of time and in denial and thought they were the crazy ones. It’s hard to put into words with everything that happened. I’m grateful to still be alive today even though some days are harder than most. The stigma surrounding mental illness is not addressed enough. I know there are millions suffering just as I am. My only hope is that they do seek help and give themselves a shot to attempt to live a somewhat normal life and to not live in fear or in the shadows. We’re still human beings and want great things for the world. Not to be pushed aside and silenced. We want to be heard and more understood, because trust us, we barely understand ourselves. Together as one we shall bond.
Excerpt © Daniel Sokey. All rights reserved.
02 / MUSIC
Music from
the archive.
Sound from the DASnot world. Explore the professional licensing catalog, listen to releases, or step into the experimental work.
Professional licensing / sync
Selected DASnot tracks for film, television, advertising and other productions. Preview the licensing catalog and review track-specific availability through AudioSparx.
Explore AudioSparx licensing ↗Experimental / AI-assisted music+
A separate creative space on Suno. These experiments are not presented as part of the handmade, one-stop sync catalog.
Explore the Suno profile ↗Licensing is considered by track and intended use, subject to rights review and agreed terms.
LISTEN HERE
Three moments from DASnot.
30-second instrumental previews. Choose a track to listen.
Bird
Ambient guitar, drifting synths and warm pads.
Hairy
Dusty strings, drifting synths and gritty bells.
Jet Lag
Spacious synth pads, soft piano and worn tape-style keys.
Listening previews only. Production use requires a license.
Square One Isn’t Zero
DASnot
Fly Away
Books, images, and original sound in one presentation.
Watch the creative presentation ↗03 / VISUAL ART
A world in every image.
Figures, symbols, places, and handwritten lives. Explore selected work; ask about artwork availability, reproduction, or licensing.

FREE BROWSER GAME
The Unreasonable City
Become the emergency mayor of an impossible city made from DASnot artwork. Five disasters. Three choices each. Your decisions have consequences.
Play free ↗Click or tap to play. Original handmade art; game code and text developed with AI assistance.

DIGITAL ASSET PACK / $29 USD
WORLDGLITCH — Volume 01
32 illustrated backdrops at 1920 × 1080: two compositions from each of 16 handmade artworks, for games, video and finished digital projects.
Get the pack — $29 ↗Limited nonexclusive commercial license included. Copyright stays with DASnot. Merchandise rights require a separate agreement.
Tap a work to explore its details. Ask Daniel about original availability, prints or reproduction licensing.








WELCOME TO DASNOT
Selected Works / Second Edition
A wider look at the DASnot visual archive — dense drawings, color works, altered everyday surfaces, sculpture and objects. The Second Edition brings together 28 distinct works documented across 30 archival entries.
04 / FILM & TELEVISION
Stories for the screen.
Start with five selected projects, then explore the complete archive. Open a title for its premise and a direct inquiry. Screenplays are available upon request.
SELECTED SCREEN PROJECTS
What Dies TwiceAdult supernatural drama · Television+Killed zombies awaken in an afterlife bureaucracy, carrying the memories of everything their bodies did.
Tom wakes in the Annex eleven years after his death, with the violence of his undead years still inside him. Housing, work, and support groups give the dead a new routine without releasing them from responsibility. The arrival of a warm-blooded man threatens the rules on which this second existence depends.
Request project materials ↗Screenplay available upon request.
Critical ValueScience-fiction thriller · Feature+A blood draw reveals another person’s future blood—and a chance to intervene before disaster.
Rachel discovers that collection method changes what a blood sample reveals. An evacuated tube produces future blood from another person, turning a routine procedure into evidence of what has yet to happen. A death and a successful intervention make the possibility of changing the outcome dangerously immediate.
Request project materials ↗Screenplay available upon request.
The Last New ThingScience-fiction drama · Feature+A tattoo artist watches history replace the present, bringing her dead brother back—and threatening to erase him again.
For Sophie Cole, the changing world first offers an impossible reunion with her brother Ben. As history moves further backward, he becomes younger while her tattoos preserve traces of a life the world no longer remembers. What begins as a family’s second chance becomes a journey toward the limits of human existence.
Request project materials ↗Screenplay available upon request.
Open DistanceSpeculative science fiction · Eight-episode series+A route designer on a peaceful world is invited to help decide whether its people should cross an unexplained opening in space.
Seli’s ordinary work is making paths that respect people and living systems. An invitation to the Open Distance program asks them to consider a much larger journey while someone they love approaches the end of life. Exploration begins with uncertainty, consent, and the freedom to choose a future at home.
Request project materials ↗Screenplay available upon request.
The Wrong WoodsAnimated adventure · Feature+A wild bear’s accidental trip to Denver teaches him the human systems he must later outsmart to protect an unfamiliar forest.
Mack follows peaches into a produce truck and spends a chaotic day learning how the city works. Relocated to Stone Creek, he discovers another home threatened by human activity. Horns, gates, cameras, and crowds become lessons he can turn toward a nonlethal defense of the woods.
Request project materials ↗Screenplay available upon request.
FULL SCREEN ARCHIVE12 more projects · features, series & animation+
AftermarketSupernatural horror / dark comedy · Feature+
Dead artists feel the pull of every commercial use of their work as a spectacular exhibition prepares to sell their immortality.
In an afterlife workroom, Vincent van Gogh cannot make paint stay on a canvas, but every museum photograph and souvenir purchase reaches him. In Chicago, worker June Navarro prepares an exhibition celebrating creators whose work outlived them. The film connects the business of artistic legacy with the people caught on either side of death.
Request project materials ↗Screenplay available upon request.
What Did You Do Today?Contained satire · Feature+
One apartment building turns productivity into a score—and its residents into competitors.
Five residents become caught in a system that divides everyday life into busy and lazy. As the score becomes a measure of personal worth, the building’s ordinary routines turn into performances. The pressure to prove usefulness survives even the system’s next rebranding.
Request project materials ↗Screenplay available upon request.
The Divorce PapersSpeculative thriller · Feature+
Divorce papers arrive from a stranger, but official records insist the marriage is real.
A private life is contradicted by government documents that carry more authority than memory. The discrepancy becomes more urgent when a future death certificate enters the record. The mystery turns on what happens when official paperwork determines the facts of a life.
Request project materials ↗Screenplay available upon request.
WinnerSurreal animation · Short+
A competition among drawn figures reveals that winning means being hollowed out and reproduced.
Eleven, Dot, Champ, and the other figures inhabit a page where success demands obedience. As the competition exposes what happens to its winners, the promise of distinction becomes a machinery of copies. Beyond the contest, a human hand can discard their entire world.
Request project materials ↗Screenplay available upon request.
The SavedScience-fiction / psychological crime thriller · Six-episode limited series+
A woman held by extraterrestrials races home to stop the execution of the husband convicted of her murder.
Fifteen years after Mara Vale disappears, Noah awaits execution while receiving impossible messages from her. On another world, Mara recruits fellow abductees to escape beings who believe captivity is rescue. Their marriage becomes a struggle against two systems certain they know the truth.
Request project materials ↗Screenplay available upon request.
Before AgainAdult animated science-fiction mystery · Twelve-episode limited series+
A murdered woman discovers that her next assigned incarnation is the man who killed her—and refuses to enter it.
Mara Vale awakens in the Interval, a civilization between lives where memory can be traded and damaged. Her resistance exposes a routing system that has replaced choice with compulsory loops. A personal refusal grows into a conflict over whether existence itself can be forced.
Request project materials ↗Screenplay available upon request.
The MandatePolitical thriller · Feature+
A beloved leader conceals a plan for unwarned nuclear strikes behind a reassuring public image.
Morgan’s popularity masks a private hatred of the people who trust the leadership. Public confidence and catastrophic intention occupy the same figure. The story follows the distance between the mandate people believe they gave and the destruction being contemplated in their name.
Request project materials ↗Screenplay available upon request.
The First DreamScience fiction · Feature+
In a world where no one dreams, the first dream unsettles what its inhabitants believe about being human.
A society of humans and synthetic beings encounters an experience it has never known. Dreaming becomes a fault line in its understanding of identity and reality. The mystery reaches beyond the individual to the nature of the world they share.
Request project materials ↗Screenplay available upon request.
Black SandAction-thriller mystery / dark comedy · Feature+
Paul wakes beaten on a black-sand beach in Tenerife with gemstones, a gun, multiple phones, and three hours to figure out what happened. Then the television identifies him as the driver in a multimillion-euro jewel robbery tied to missing people, forcing him into a race to discover what he did, who set him up, and why.
Request project materials ↗Screenplay available upon request.
Brain DeadPsychological drama · Feature adaptation+
A former baseball player struggles with blackouts, addiction, and a failing marriage while believing one teenage punch stole his future.
Daniel builds his identity around the blow he suffered at seventeen and the retaliation he never took. As his wife and therapist try to reach him, he turns his home into a handwritten record of memory and shame. The story preserves uncertainty about the cause of his symptoms while tracing the cost of the explanation he cannot let go.
Request project materials ↗Screenplay available upon request.
Due ClauseSurreal dystopian drama / psychological thriller · Feature adaptation+
An unnamed man must reclaim his identity from a bureaucracy prosecuting a charge with no identifiable crime.
The Accused moves through courtrooms, hospital wards, and living archives that turn pain into categories. Every attempt to correct the record creates another procedure. Even dismissal may let the institution preserve its error rather than acknowledge what happened to him.
Request project materials ↗Screenplay available upon request.
It Bothers Me I Have to Act UnbotheredPoetic drama / psychological social realism · Feature adaptation+
A broke Albuquerque artist tries to get through an ordinary week while pretending that poverty, pain, and memory do not hurt.
Bills, rent notices, family obligations, and baseball memories accumulate around Daniel. Ordinary objects become surreal witnesses against his performance of being fine. The week offers no sudden rescue; its turning point is his decision to stop denying what bothers him.
Request project materials ↗Screenplay available upon request.
BEYOND MOONBLOCK CITY
More DASnot worlds.
Moonblock City is the flagship. More worlds exist.
Explore the wider cast +
SHARP
WINDOWBOX
HOUSEHEAD
CAUTION
LONGJAW
PENNANT

THE PERSON BEHIND THE WORK
Daniel Sokey.
Also, DASnot.
An independent writer, visual artist, and music creator. The work crosses fiction, poetry, visual memoir, film, television, and original music—returning to memory, survival humor, and surreal worlds.
BUY A BOOK. START A CONVERSATION.
Give the work
a place to go.
For project materials, artwork availability, music licensing / sync, or creative collaborations, email Daniel with the title and what you have in mind.
Email Daniel ↗DASnot3589@aol.comInquiries do not reserve rights or complete a purchase. Scope, availability, pricing, and permissions are agreed directly.





















